KENNY ST. MARTINS:
In drama, audiences find it hard to identify with generic characters like /*
father, /*
son, /*
man. So in lectures, I give them new names: */
newfather, /*
newson, /*
newman. (Also, /*
newmom.) However, there is only one way to truly make ourselves new, and it comes from the 1960s. The New is like a nerf ball thrown straight at us from 1962. Or maybe it's like 62 nerf balls. Or maybe it/'s like a nerf ball wearing a coat, and the coat is contemporary culture. Because culture cannot be pinned to a location; it/'s purely dynamics and speed. Today we calculate culture as a function of acceleration: 2px + 2px = 4.0000001 mph. If you squint really hard when seeking the New Now, you might be able to see that last decimal point hovering to the right of your vision. The quadrillionth of a decimal point that proves beyond a doubt that we are newer than New, nower than Now, than ever before.
*jenny*
*kenneth*
*kenneth*
*kenneth*
*kenny*
*kenny*
*kenny*